This is a student production. Whatever your expectations are of Shakespeare, be sure to arrive knowing these are young actors (both in craft and age)… Read More
Over the 80 minutes it takes to watch Armstrong’s War, people are drawn to each other. That doesn’t just describe the relationship of the play’s… Read More
Hooray for a play that doesn’t tie everything up neatly. Walking out of the theatre, there’s room left for the audience to debate not just a few key plot points but important questions of fate, class, and making your own luck. Read More
I usually hate, haaaaaaaate underscoring in shows, a manipulative cue to audiences that “here comes the emotional part.” But a minimalist yet grand score from Christine Fellows and John K. Samson almost always feels supportive rather than smothering – an audible incarnation of the play’s spiritual heartbeat. Read More
The show has become a collision between an outsider’s life assumptions and a community’s spiritual oasis where broken, baggage-burdened bodies find nourishment. Read More
Seeing this many Chekhov plays back to back, I’ve started to question the line between style and life. What if Chekhovian tragedy is just realism with Russian names? Read More