I usually hate, haaaaaaaate underscoring in shows, a manipulative cue to audiences that “here comes the emotional part.” But a minimalist yet grand score from Christine Fellows and John K. Samson almost always feels supportive rather than smothering – an audible incarnation of the play’s spiritual heartbeat. Read More

No great revelations here. But it's worth checking out. Read More

The show has become a collision between an outsider’s life assumptions and a community’s spiritual oasis where broken, baggage-burdened bodies find nourishment. Read More